In Australia, a trope of 'vanishing' situated during the late nineteenth and early twentieth centuries within a confident narrative of empire, was deployed in literature written late in the twentieth century to express anxiety about the relation of non-indigenous Australians to the land. This chapter considers the colonial origins of the trope and speculates on why it should have re-surfaced in such narratives of vanishing as Joan Lindsay's 'Picnic at Hanging Rock', John Bryson's 'Evil Angels', Thea Astley's 'Vanishing Points', and David Malouf's 'Remembering Babylon'.
History
Publication title
Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond