Composition of Curves (20)

My ceramic work explores sensual bodily form and tension in curve. These forms connect to the body in both an aesthetic and making sense. Both the process and the purpose are linked - for me making is a sensual experience. My approach to slip casting is to push the original plaster forms into, over or between parts of my body. The slip cast forms that result from this process retell the memory of my body and are imbued with the tension and pressure of their creation. Positioned closely, where curve almost meets curve, space is compressed and the tension between forms is heightened.