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Ubara Beachouse

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posted on 2023-08-17, 04:43 authored by Julian WorrallJulian Worrall, Fumika Morito, Shingei Katsu

Research Background: The way buildings reflect, respond to, and reshape places is a fundamental concern in architectural design. Under conditions of mobility, migration and digital communications, the traditional definition and stability of place is put into question. This built project for a weekender on the Pacific Coast near Tokyo for two foreign residents of Japan seeks to engage these questions via specific architectural design strategies.

Research Contribution: The project uses formal, spatial, material, and programmatic strategies to embed the architecture of the house within its setting, while simultaneously signifying a remove from it. Formal Strategy: a neutral, generic 5.8m cubic frame oriented to the sun and ocean view is wrapped by an irregular envelope responding to the site boundary. The gap between the universal frame and the locally responsive envelope provides space for servicing and supporting functions: kitchen and bathroom, storage, and outside terraces. Conceptually, this interstitial gap between universal "space" and local "place" engages an ongoing research concern relating to "displacement". Spatial Strategy: Principles of Japanese traditional architecture are employed in the spatial organisation of the building. The traditional earth-floored space ("doma") and elevated verandah ("engawa") is reflected in the ground level plan. Intersecting timber columns and beams in the upper level reflect the constructional patterns found in traditional rural residences built in timber. Material Strategy: Exterior cladding of charred cedar ("shou sugi ban") a traditional technique practised in central Japan for protecting wooden houses by the ocean. Uncommon in the Kanto region, the dark outline of the building introduces a strong figural element within the townscape, reflecting the local landscape of eroded sandstone bluffs. Programmatic Strategy: recessive private cellular spaces (bedrooms) are placed at ground level and entered from the rear, with apertures to the side for independent access and views; while the large public space of the living/dining area and upper level mezzanine are oriented to the ocean via a large transparent south-facing operable aperture and terrace. The openness and visibility of this space presents a different relationship to the surrounding natural landscape and urban context from its neighbours.

Research Significance: The significance of the project is registered through its publication in both local (Japanese) and international design press, and has been featured in a Japanese TV program focussed on architect-designed houses.

History

Sub-type

  • Design/Architectural Work

Medium

Timber and steel-framed house overlooking the Pacific Ocean clad in charred cedar ("shou sugi ban"). Site area: 95.13m2; Building Footprint: 55.60m2; Gross Floor Area: 98.32m2

Department/School

Architecture and Design

Publisher

Design Anthology

Publication status

  • Published

Event Venue

Ubara, Katsuura-shi, Chiba Prefecture, Japan

Rights statement

Copyright 2017 the creator

Notes

PROJECT CREDITS + INFO Architecture: Julian Worrall Spaces (Australia), with 2.5 Architects (Japan) Structure: Structured Environment (Japan) Construction: Kigumi (Japan) Design: 2011.01-2015.03 Construction: 2015.04-2017.06 Project Cost: ¥40,000,000

Socio-economic Objectives

120205 Residential construction design, 280104 Expanding knowledge in built environment and design

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