This article examines the practice and function of casting in the Australian television industry from the 1960s to the 1990s. It investigates the role of ethnicity and accents and the practice of casting actors of migrant backgrounds in Australian drama, variety and comedy. In an industry so often dominated by Anglo-Australian stories, faces and voices, the increasing presence of actors from non-English-speaking backgrounds and non-European ethnicities has been a key feature of the changing nature of Australian television production. By analysing ‘Showcast’ casting directories, supplemented with oral history interviews, this article suggests that actors have tended to adopt fluid or hybrid identities to navigate the casting process and find steady work in the television industry. The manipulation of identity, I argue, sits at the nexus of overlapping cultural spheres amid the challenging operation of multiculturalism in Australian media.
History
Publication title
Media International Australia
Volume
174
Pagination
86-96
ISSN
1329-878X
Department/School
College Office - College of Arts, Law and Education
Publisher
Sage
Place of publication
UK
Rights statement
Copyright 2019 The Author
Repository Status
Restricted
Socio-economic Objectives
The performing arts; The media; Understanding Australia’s past