In light of cultural discourses that position femininity at odds with technology, I was inspired by the work of Donna Haraway to examine how women amputees experience and negotiate feminine embodiment with prosthetic limbs. In her germinal Manifesto for Cyborgs, Haraway theorised the cyborg as a feminist symbol of a utopian “post-gendered world,” asserting that techno-hybridity has the potential to destabilise embodied gendered subjectivity—prompting a rethinking of sex, bodies, gender and humanity. In this paper, following a critical discussion of Haraway’s work, I argue that the cyborg continues to be a provocative concept in feminist sociologies of the body, enabling us to explore the complex new subjectivities that are made possible through feminine techno-embodiment. Through an empirical exploration of women amputees’ experiences of living with prosthetic limbs, I found that women can embody and incorporate prosthetic technologies into their feminine selves in multiple, complex, gendered ways. My findings indicate that cyborgian hybridity may have the potential to destabilise some aspects of gendered embodiment and performance for women with prosthetic limbs, which can be experienced as both limiting and liberating.
History
Publication title
Platform: journal of media and communication
Volume
6
Pagination
61-73
ISSN
1836-5132
Department/School
School of Social Sciences
Publisher
University of Melbourne * School of Culture and Communication
Place of publication
Australia
Rights statement
Copyright 2015 the Author Licenced under Creative Commons Attribution 3.0 Australia (CC BY 3.0 AU) http://creativecommons.org/licenses/by/3.0/au/