Many of the world’s post-industrial cities have sought to emulate the Guggenheim Museum Bilbao’s (GMB) transformation of Bilbao into a city of culture. Yet the Bilbao Effect is a paradox: why is it that despite much replication of its defining features there is still only one Bilbao Effect? This paper steps back from the quick fix policy narrative of the Bilbao Effect to reflect critically on the complex coordinates of the GMB’s success as a singular tourism magnet; notably how Bilbao and the Basque Country region played a far bigger role in it than is commonly perceived. It identifies a variety of significant and commensurate cultural tourism developments already in place before the GMB was built, not least the Camino de Santiago de Compostela and San Sebastian, that both augmented and enriched tourism to Bilbao subsequently. It argues that these must now be recognised as a key part of the Bilbao Effect and are of an order and quality not easily transferred to other cities.
Funding
Australian Research Council
Department of Economic Development, Tourism and the Arts
Glenorchy City Council
Hobart City Council
Monash University
Moorilla Estate Pty Ltd
History
Publication title
Annals of Tourism Research
Volume
59
Pagination
79-92
ISSN
0160-7383
Department/School
School of Social Sciences
Publisher
Peragom Press
Place of publication
United Kingdom
Rights statement
Copyright 2016 Elsevier Ltd.
Repository Status
Restricted
Socio-economic Objectives
Other culture and society not elsewhere classified