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Of two Arias and Nine Ragas: analysing Monteverdi through a Karnatik lens

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posted on 2023-05-21, 14:47 authored by Charulatha Mani
Commencing from an elaboration of extant theoretical and analytical positions in Monteverdi studies, this article closely analyses two of the most well-known arias from Claudio Monteverdi's earliest opera, L'Orfeo (1607), from the melodic perspective of the Karnatik music of South India. In identifying ragas within Monteverdi's melodic structures, this approach evidences the author's practice-based explorations of the arias while harking back to global influences that have shaped the identity formation of Western music. This approach to music analysis serves two primary purposes. First, it offers one way to decolonise and reimagine the music that emerged from an essentially multicultural early modern Europe. Second, in privileging artist-researchers’ embodied oral aural knowledges, which emerge from practice, the approach makes a case for analytical approaches which aid in practice and which offer complementary lenses through which to view locate knowledges that are complex, embodied and non-Western in their theoretical and analytical bases.

History

Publication title

Music Analysis

Volume

41

Pagination

470-494

ISSN

0262-5245

Department/School

School of Creative Arts and Media

Publisher

Wiley-Blackwell Publishing Ltd

Place of publication

108 Cowley Rd, Oxford, England, Oxon, Ox4 1Jf

Rights statement

© 2022 The Authors. Music Analysis published by Society for Music Analysis and John Wiley & Sons Ltd. This is an open access article under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/

Repository Status

  • Open

Socio-economic Objectives

Music; The creative arts; Expanding knowledge in creative arts and writing studies

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