Performance, Feminism and Affect in Neoliberal Times, co-edited by Australian scholar Denise Varney, comes out of collaborations formed through the Feminist Research Working Group of the International Federation of Theatre Research. The book is divided into five parts and contains twenty-three chapters by feminist performance studies scholars from Australia, Brazil, Canada, India, Japan, Korea, Sweden, United Kingdom, USA, as well as a chapter from Chilean artist and scholar, Maria Jose Contreras Lorenzini. Denise Varney, Sarah French and Sandra D’Urso are the three Australian scholars featured in this publication.