Performing colonisation: the manufacture of Black female bodies in tourism research

This paper is an Indigenous contribution to the epistemic decolonisation of tourism research. To understand how western privilege operates within research I highlight the rise of, what I term here, Establishment men and their use of performance theory and universalisms to both mask and enable harms against Black female bodies. I then introduce an innovative Indigenous methodology in storytelling to consider the depth and richness of contributions away from colonising and linear narratives and towards positive touristic encounters. Finally, I then give an overview of the types and use of ethics to prevent future harms to Black female bodies and establish a pathway towards equity in tourism research.

[The author of this paper acknowledges 'tebrakunna country' as a co-author.]