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The object of art in the Anthropocene: generative chairs and hi-vis touches
Art has consistently done its work of rendering the ordinary uncanny. Varieties of art have initiated and reflected reconsiderations of cultural objects and orders of time. Within the Anthropocene that uncanny making capacity also carries with it the forging of new connections between the human and more-than-human amid the performance of new spatial and temporal possibilities. This paper takes the example of Gay Hawkes’ furniture constructed from packing cases after bushfire and Joan Ross’s installations of colonial paintings refigured with hi-vis (fluorescent colour as used on high-visibility workwear etc.) and fur to think about both the materials these artists have employed to make their art and the cultural re-materialising that arises.
History
Publication title
Australian Humanities ReviewVolume
63Issue
NovemberPagination
116-130ISSN
1835-8063Department/School
School of HumanitiesPublisher
ANUPlace of publication
AustraliaRights statement
Copyright 2018 Australian Humanities ReviewRepository Status
- Restricted